THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They in many cases are craving romantics, using this big difference: Buster appears a plausible mate, and the Tramp barely seems to possess a libido, only idealized notions. If their comedies were created in a far more liberated time, it is possible to assume Keaton in bed with a lady, but disquieting to think of the Tramp for a sexual currently be